WIN! Tickets to the Manchester OM Yoga Show

Posted on April 2, 2014

The Manchester OM Yoga Show, held at Manchester Central from May 10 to 11, is a perfect introduction to yoga.

The event includes over 40 free yoga sessions, plus more than 100 exhibitors showcasing different forms of yoga, Pilates and complementary therapies, accessories and more. Workshops include Ballet Yoga, while there’s also a special Yoga Disco event with live DJ, lighting and free dance as well as vinyasa yoga sequences.
Visitors to the OM Yoga Show can also visit the Mind Body Soul Experience, a complementary health and spiritual awareness event with activities including Zumba, t’ai chi, Bollywood dancing, belly dance and salsa.

We have ten pairs of passes for the show. For a chance to win, send the answer to the following question, with your name, postal address and email address, to our competitions@dancing-times.co.uk:

Yoga originates from which country? (A) India, (B) Ireland, (C) Iceland.

The closing date for the competition is April 25.

Advance tickets to the OM Yoga Show cost £7.50, and are available from omyogashow.com.

Photograph: Courtesy of OM Yoga Show.

Jonathan Gray

Jonathan Gray is editor of Dancing Times. He studied at The Royal Ballet School, Leicester Polytechnic, and Wimbledon School of Art where he graduated with a BA Hons in Theatre Design. For 16 years he was a member of the curatorial department of the Theatre Museum, London, assisting on a number of dance-related exhibitions, and helping with the recreation of original designs for a number of The Royal Ballet’s productions including Danses concertantes, Daphnis and Chloë, and The Sleeping Beauty. He has also contributed to the Financial Times, written programme articles for The Royal Ballet and Birmingham Royal Ballet, and is co-author of the book Unleashing Britain: Theatre gets real 1955-64, published in 2005.

Jonathan Gray

Jonathan Gray is editor of Dancing Times. He studied at The Royal Ballet School, Leicester Polytechnic, and Wimbledon School of Art where he graduated with a BA Hons in Theatre Design. For 16 years he was a member of the curatorial department of the Theatre Museum, London, assisting on a number of dance-related exhibitions, and helping with the recreation of original designs for a number of The Royal Ballet’s productions including Danses concertantes, Daphnis and Chloë, and The Sleeping Beauty. He has also contributed to the Financial Times, written programme articles for The Royal Ballet and Birmingham Royal Ballet, and is co-author of the book Unleashing Britain: Theatre gets real 1955-64, published in 2005.