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There’s a Russian feel to this month’s issue, as we speak to Bolshoi director Sergei Filin, look back at a turning point for Diaghilev’s Ballets Russes and report from a St Petersburg conference on the future of ballet choreography. Elsewhere, we look at The Australian Ballet’s new production of The Sleeping Beauty, and come back […]
This month, we speak to Marcelo Gomes about ballet and Matthew Bourne, to Peter Schaufuss and Li Cunxin about La Sylphide and to Richard Bonynge about ballet music. There’s also a focus on the training of young dancers, from youth ballet companies to Elmhurst School for Dance and more…
Our February 2015 issue is here! We believe it’s our largest in our 105-year history: 124 pages of interviews, features, reviews, news and debate, with Cira Robinson of Ballet Black as our cover star. We speak to dance names including Vadim Muntagirov of The Royal Ballet, choreographer Richard Alston, dancer and designer Yumiko Takeshima, report […]
Nominations for the 15th National Dance Awards have been announced. The dance section of the Critics’ Circle, a group of more than 50 dance writers and critics, votes on the awards.
Men in Motion, Ivan Putrov’s showcase of male dancing, comes to the London Coliseum from January 30 to 31.
Beijing’s second International Ballet and Choreography competition will be held from July 5 to 13. Tonight’s sold-out opening gala features San Francisco Ballet’s Yuan Yuan Tan and Taiwanese virtuoso Fang-Yi Sheu (pictured) alongside 2011 winners Ma Xiaodong, Zhan Xinlu, Li Renxiu and Wang Yun.
The Rite of Spring had its infamous first performance on May 29, 1913, at the Théâtre des Champs-Elysées in Paris. Igor Stravinsky’s music and Vaslav Nijinsky’s choreography (pictured) caused an outcry. A century on from that riotous evening, The Rite of Spring will be celebrated around the world, with ballets, concerts, education projects and more.
Eightwatchers is the title of a programme that the choreographer Eric Gauthier and his company, Gauthier Dance, presented at the Schauburg Theatre in Munich at the end of March. Seven of the eight pieces presented could all be characterised as short, entertaining and funny works with a strong storyline. It is a description that applies […]
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