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New Adventures

Christopher Marney appointed artistic director of Ballet Central

Choreographer and dancer Christopher Marney (pictured) has been appointed artistic director of Ballet Central. Marney, who trained at Central School of Ballet, has danced leading roles for Matthew Bourne’s New Adventures, and choreographed for companies including Ballet Black. Founded in 1984, Ballet Central gives Central School of Ballet’s final-year students first-hand experience of professional dance. Heidi […]

The Car Man in cinemas

Matthew Bourne’s The Car Man, his reworking of Bizet’s Carmen for his company New Adventures, will be screened in UK cinemas from March 1. The production moves the action from 19th-century Spain to small-town America of the 1960s. Bizet’s femme fatale becomes Luca, the “car man” of the title, a handsome stranger who triggers a […]

February 2016 issue

We celebrate a world of dance this month, from ballroom in Shanghai to New York City Ballet choreographer Justin Peck and former Strictly professional Robin Windsor. Our cover stars are Cira Robinson and Mthuthuzeli November of Ballet Black. Ready to move on Nicola Rayner meets former Strictly Come Dancing professional Robin Windsor to talk about […]

A celebration of Jonathan Ollivier

The dancer Jonathan Ollivier, who died earlier this year, will be remembered in the performance Mr Wonderful – A Celebration of Jonathan Ollivier’s Life in Dance. Presented by New Adventures and Re:Bourne, this evening of dance will be performed at Sadler’s Wells on January 18, 2016. Matthew Bourne, director of New Adventures and Re:Bourne, said: […]

September 2015 issue

  This is Dance Today’s final issue as a standalone magazine, before it rejoins our sister magazine Dancing Times. So we’re thinking about transitions. Cover stars Vincent Simone and Flavia Cacace discuss upcoming stage show The Last Tango, former champions talk about taking the momentous decision to retire, and we look back at almost six […]

September 2015 issue

  This month, we speak to two star dancers with more strings to their bows. Alessandra Ferri talks about her return to dance, while Johan Kobborg explains how he’s taken on the directorship of the Bucharest National Ballet. Elsewhere, we look at male dancing in a new book and at Birmingham Royal Ballet, find out […]

Jonathan Ollivier dies in motorbike crash

The dancer Jonathan Ollivier has died in a motorbike accident, hours before he was due to perform in the final show of The Car Man at Sadler’s Wells. He was 38.

July 2015 issue

  This month, we speak to Marcelo Gomes about ballet and Matthew Bourne, to Peter Schaufuss and Li Cunxin about La Sylphide and to Richard Bonynge about ballet music. There’s also a focus on the training of young dancers, from youth ballet companies to Elmhurst School for Dance and more…          

New season at Sadler’s Wells

Sadler’s Wells has announced plans for its autumn/winter season, including Akram Khan Company, Hofesh Shechter Company, Sidi Larbi Cherkaoui and the first dance work by fashion designer Hussein Chalayan. Programmes for the Peacock Theatre and the Lilian Baylis Studio have also been announced.

UK contemporary dance training: choreographers raise concerns

Three leading British companies have expressed concern over the standards of training in UK contemporary dance schools. Akram Khan Company, DV8 Physical Theatre and Hofesh Shechter Company say they have to look overseas because they cannot find UK-trained dancers of sufficient calibre.

February 2015 issue

Our February 2015 issue is here! We believe it’s our largest in our 105-year history: 124 pages of interviews, features, reviews, news and debate, with Cira Robinson of Ballet Black as our cover star. We speak to dance names including Vadim Muntagirov of The Royal Ballet, choreographer Richard Alston, dancer and designer Yumiko Takeshima, report […]

November 2014 issue!

Gender is on the agenda in our November 2014 issue. We explore what it takes to be a man in dance – while BalletBoyz Ed Pearce and Adam Kirkham demonstrate male partnering on the dramatic cover photo by Hugo Glendinning – and speak to director-choreographer Susan Stroman about being a woman in the male-dominated world […]

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