Welcome to our biggest ever issue! This month’s Dancing Times casts a spotlight on France, from Benjamin Millepied’s shock departure from the Paris Opéra Ballet to the dance scene as a whole. There’s tango with cover stars Germán Cornejo and Gisela Galeassi, ballroom and Latin at the UK Open, crossovers between theatre and dance and […]
We welcome 2016 with coverage of very many dance styles, from ballet, ballroom and contemporary dance by way of malambo from Argentina and the Peking Opera from China… Energy forever Zoë Anderson speaks to Royal Ballet principal Marianela Nuñez about Giselle, dance on screen and the politics of guesting: “Nuñez feels strongly about [guesting]. It’s […]
In De Oscuro’s new production of Mac//Beth, the witches spin their deceptive prophecies in Welsh, while Lady Macbeth slides from speech into movement as she urges her husband on to murder. It’s an ambitious idea, but the staging is both rushed and pedestrian, gaining little insight from its mix of languages. Founded in 2010 by […]
For its autumn tour, David Hughes Dance looks back to its roots, with works by Matthew Bourne, Robert Cohan and Tanja Liedtke, and forwards with Walking Shadow, a new commission from Cathy Marston.
The dance programme for the Linbury Studio Theatre at the Royal Opera House has been announced.
Macbeth Shakespeare’s words are a wonder of the world, but his dramatic world was also a world of physical theatre, and closer to song and dance than we sometimes remember today. We should remind ourselves that his most famous clown, William Kempe, who was surely a great mover on stage for the Bard, was as […]