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October 2015 issue!

New season, new beginnings! With this issue, Dancing Times incorporates our sister magazine, Dance Today, which for nearly 60 years covered all aspects of social dancing. The new combined magazine goes back to our roots: from the beginning, Dancing Times covered all kinds of dance, from the ballroom to the stage. The new issue has […]

The return of Polaris

Crystal Pite’s Polaris, one of the most admired new dances of 2014, will be staged in New York this autumn. Created as part of Sadler’s Wells’ See the Music, Hear the Dance, programme of dances to music by Thomas Adès, Polaris is a huge work, featuring more than 60 dancers.

March 2015 issue

Our March 2015 issue is here! Our cover star is Birmingham Royal Ballet’s Céline Gittens. This month features four British-based choreographers, discussing music, choice of subject matter, moving from dancing into choreography and the future of British classical ballet. We also speak to dance fathers and sons, herald Dance UK’s forthcoming conference and report on […]

Sadler’s Wells plans

Sadler’s Wells has announced its plans for spring and summer 2015, along with an update on the theatre’s plans for a new fourth venue.

National Dance Awards nominations

Nominations for the 15th National Dance Awards have been announced. The dance section of the Critics’ Circle, a group of more than 50 dance writers and critics, votes on the awards.

Autumn at Sadler’s Wells

A Scandinavian season, a collaboration between composer Thomas Adès and choreographers Karole Armitage, Wayne McGregor, Crystal Pite and Alexander Whitley and a new  work by Akram Khan and flamenco star Israel Galván (pictured) are among the highlights of the autumn season at London dance venue Sadler’s Wells.

New directions for Scottish Ballet

Christopher Hampson, Scottish Ballet’s new artistic director, has announced his plans for the company. His first full-length work for Scottish Ballet will be supported by a groundbreaking education project, which aims to bring people across Scotland into the new ballet’s creative process. The company has also been granted an exclusive license to dance Matthew Bourne’s […]

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