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Osipova to dance at Sadler’s Wells

Natalia Osipova, the Russian-born principal dancer with The Royal Ballet, is to appear in a triple bill of specially created contemporary works at Sadler’s Wells next summer. The announcement was made at Sadler’s Wells’ annual press conference, where the theatre also revealed its plans for the first half of 2016.

October 2015 issue!

  New season, new beginnings! With this issue, Dancing Times incorporates our sister magazine, Dance Today, which for nearly 60 years covered all aspects of social dancing. The new combined magazine goes back to our roots: from the beginning, Dancing Times covered all kinds of dance, from the ballroom to the stage. The new issue […]

August 2015 issue

There’s a Russian feel to this month’s issue, as we speak to Bolshoi director Sergei Filin, look back at a turning point for Diaghilev’s Ballets Russes and report from a St Petersburg conference on the future of ballet choreography. Elsewhere, we look at The Australian Ballet’s new production of The Sleeping Beauty, and come back […]

July 2015 issue

  This month, we speak to Marcelo Gomes about ballet and Matthew Bourne, to Peter Schaufuss and Li Cunxin about La Sylphide and to Richard Bonynge about ballet music. There’s also a focus on the training of young dancers, from youth ballet companies to Elmhurst School for Dance and more…          

New home for ENB and ENB School

English National Ballet (ENB) and English National Ballet School (ENBS) have announced plans for a new joint home in East London. The move will bring the company and its school under one roof, in a centre combining training facilities, teaching and rehearsal studios alongside production space.

May 2015 issue

  This month, we pay tribute to Mary Clarke, our beloved editor emeritus, and speak to our cover star, Aurélie Dupont, as she prepares to leave the stage of the Paris Opéra Ballet. In this issue, we also investigate adult amateur ballet, the recent Munich reconstruction of Paquita and more…

April 2015 issue

  Our April issue is here! The gorgeous cover of ballerina Diana Vishneva, photographed by Gene Schiavone, has already reached more than 77,000 people on facebook – now here’s the magazine to go with it! This month, we have interviews with Vishneva and Ballet Black’s Kanika Carr, a debate on performance style in the ballets […]

March 2015 issue

  Our March 2015 issue is here! Our cover star is Birmingham Royal Ballet’s Céline Gittens. This month features four British-based choreographers, discussing music, choice of subject matter, moving from dancing into choreography and the future of British classical ballet. We also speak to dance fathers and sons, herald Dance UK’s forthcoming conference and report […]

English National Ballet plans

  English National Ballet (ENB) has announced its plans for the 2015–16 season, including a triple bill of works by female choreographers and the return of Lest We Forget and Le Corsaire.

Millepied’s plans for the Paris Opéra

Benjamin Millepied has announced plans for the 2015–16 season of the Paris Opéra Ballet, the first he has programmed as director. It’s an ambitious season, with many new works, including one by new associate choreographer William Forsythe and a new production of The Nutcracker, to be choreographed by Arthur Pita, Sidi Larbi Cherkaoui, Liam Scarlett, […]

February 2015 issue

Our February 2015 issue is here! We believe it’s our largest in our 105-year history: 124 pages of interviews, features, reviews, news and debate, with Cira Robinson of Ballet Black as our cover star. We speak to dance names including Vadim Muntagirov of The Royal Ballet, choreographer Richard Alston, dancer and designer Yumiko Takeshima, report […]

January 2015

Happy New Year! As you will have probably noticed by now, we commence 2015 with a magazine dedicated to international dance, with a particular focus on training. Gerald Dowler talks to Christopher Powney, the new director of London’s Royal Ballet School, about his ambitions and plans for the future of the school, and Richard Glasstone […]

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