Get the Priority treatment at MOVE IT 2018

Posted on July 3, 2017

The team at MOVE IT have something extra special lined up for 2018, so get ready for MOVE IT PRIORITY! A brand new ticket package, MOVE IT PRIORITY unlocks a huge number of exclusive offers, merchandise and early access to the MOVE IT Class Programme. Available from September 2017, MOVE IT PRIORITY means people can upgrade their MOVE IT experience like never before.

The MOVE IT PRIORITY ticket package includes: entry to the event; limited edition PRIORITY merchandise; exclusive ticket discounts from show partners; and early access to the Class Programme.

With over 80 per cent of classes selling out this year, the MOVE IT PRIORITY ticket gives an additional seven days access to the MOVE IT Class Programme, where it will be possible to book a place on over 70 per cent of classes before anyone else.

There are only a limited number of PRIORITY tickets going on sale, so make sure you are up to date! To find out more about MOVE IT 2018, including when PRIORITY tickets can be purchased, sign up to the Latest News on the MOVE IT website – www.moveitshow.co.uk

Photograph: Belinda Lawley.

Jonathan Gray

Jonathan Gray is editor of Dancing Times. He studied at The Royal Ballet School, Leicester Polytechnic, and Wimbledon School of Art where he graduated with a BA Hons in Theatre Design. For 16 years he was a member of the curatorial department of the Theatre Museum, London, assisting on a number of dance-related exhibitions, and helping with the recreation of original designs for a number of The Royal Ballet’s productions including Danses concertantes, Daphnis and Chloë, and The Sleeping Beauty. He has also contributed to the Financial Times, written programme articles for The Royal Ballet and Birmingham Royal Ballet, and is co-author of the book Unleashing Britain: Theatre gets real 1955-64, published in 2005.

Jonathan Gray

Jonathan Gray is editor of Dancing Times. He studied at The Royal Ballet School, Leicester Polytechnic, and Wimbledon School of Art where he graduated with a BA Hons in Theatre Design. For 16 years he was a member of the curatorial department of the Theatre Museum, London, assisting on a number of dance-related exhibitions, and helping with the recreation of original designs for a number of The Royal Ballet’s productions including Danses concertantes, Daphnis and Chloë, and The Sleeping Beauty. He has also contributed to the Financial Times, written programme articles for The Royal Ballet and Birmingham Royal Ballet, and is co-author of the book Unleashing Britain: Theatre gets real 1955-64, published in 2005.