Fallen Angels is looking for a female dancer

Posted on July 21, 2015

Fallen Angels Dance Theatre is looking for a petite female dancer/dance artist with classical/contemporary dance training and at least three years professional experience.

The company will be working with vulnerable adults, and artists need to be sensitive in their approach to the work. Fallen Angels will be developing the performance Upon Awakening through improvisation, authentic movement and somatic practices.

The rehearsal process will be located in the north west of England, and performances take place in The Lowry, Salford Quays; The Capstone Theatre, Liverpool, The Addaction Recovery Conference, Greater Manchester; and The Royal Opera House Clore Studio, London, in November 2015.

If interested, please send you CV by email to the artistic director, Paul Bayes Kitcher, at paul@fallenangelsdancetheatre.co.uk

For the audition process the company will be selecting individuals to attend a workshop to explore personal stories with people in recovery from addiction.

Jonathan Gray

Jonathan Gray is editor of Dancing Times. He studied at The Royal Ballet School, Leicester Polytechnic, and Wimbledon School of Art where he graduated with a BA Hons in Theatre Design. For 16 years he was a member of the curatorial department of the Theatre Museum, London, assisting on a number of dance-related exhibitions, and helping with the recreation of original designs for a number of The Royal Ballet’s productions including Danses concertantes, Daphnis and Chloë, and The Sleeping Beauty. He has also contributed to the Financial Times, written programme articles for The Royal Ballet and Birmingham Royal Ballet, and is co-author of the book Unleashing Britain: Theatre gets real 1955-64, published in 2005.

Jonathan Gray

Jonathan Gray is editor of Dancing Times. He studied at The Royal Ballet School, Leicester Polytechnic, and Wimbledon School of Art where he graduated with a BA Hons in Theatre Design. For 16 years he was a member of the curatorial department of the Theatre Museum, London, assisting on a number of dance-related exhibitions, and helping with the recreation of original designs for a number of The Royal Ballet’s productions including Danses concertantes, Daphnis and Chloë, and The Sleeping Beauty. He has also contributed to the Financial Times, written programme articles for The Royal Ballet and Birmingham Royal Ballet, and is co-author of the book Unleashing Britain: Theatre gets real 1955-64, published in 2005.