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Exciting news from Dancing Times Ltd

Posted on June 26, 2015


With the popularity of dance increasing and genres becoming ever closer, Dancing Times Ltd has decided to go back to its roots and cover all forms of dance, both performance and social, within the covers of one magazine – Dancing Times.

In this way, as we did from our first issue in 1910 until the launch of Ballroom Dancing Times in 1956, we aim to continue our commitment to the ballroom, Latin American and social dance scene currently featured in sister magazine, Dance Today, alongside our regular coverage of ballet, contemporary and theatre dance.

The September 2015 issue of Dance Today will be the last as we know it, and from October 2015, ballroom and ballet will once again be united in one magazine with a dedicated “Dance Today” section within Dancing Times, which will include many of the regular columns and features. Rest assured, if you are a Dance Today subscriber, you will continue to receive Dancing Times every month at no extra cost until it is time to renew your subscription. If you have any questions, call the office on 020 7250 3006.

This exciting development sees Dancing Times expand to 124 pages, and we will be announcing further details about the new-look magazine over the coming months – we have already started putting some designs together and the new pages look very exciting. In the meantime, we hope you continue to enjoy reading the articles, interviews, reviews and reports we bring you each month.

Jonathan Gray is editor of Dancing Times. He studied at The Royal Ballet School, Leicester Polytechnic, and Wimbledon School of Art where he graduated with a BA Hons in Theatre Design. For 16 years he was a member of the curatorial department of the Theatre Museum, London, assisting on a number of dance-related exhibitions, and helping with the recreation of original designs for a number of The Royal Ballet’s productions including Danses concertantes, Daphnis and Chloë, and The Sleeping Beauty. He has also contributed to the Financial Times, written programme articles for The Royal Ballet and Birmingham Royal Ballet, and is co-author of the book Unleashing Britain: Theatre gets real 1955-64, published in 2005.

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