Dedicated to dance
since 1910.

Buy Latest Issue

Travels with my dance

Giselle

Back in April, I worked on Peter Wright’s version of the Romantic ballet Giselle. It’s a piece that continues to capture our imaginations because it examines both the euphoria, and the destructive capacity of love. Having the opportunity to be coached by Wright in the studio was fascinating, and working with several casts of principals […]

The Four Temperaments at Miami City Ballet

I saw George Balanchine’s 1946 ballet The Four Temperaments for the first time in 2013. I remember it as a special time in my career because I was on tour with Sarasota Ballet performing at the Kennedy Center in Washington DC during the Ballet Across America festival. The sense of cool space, the physical exhalation […]

Unfamiliar location

January is that month where all the clichés come out. After all the exuberance – and excesses – of Christmas, it feels good to refocus, take stock of what’s been and aim to fill the endeavours of the coming year with happy pragmatism. Sometimes I get irritated at the pressure to work on oneself, to […]

The Sugar Plum pas de deux

Last year I cast a general gaze over The Nutcracker and how Tchaikovsky’s music reveals it as a work of art more deeply layered than any bauble-dripping fir tree. Though we see it year after year, aspects of the ballet continue to enchant, engage and resonate with us differently on each viewing. The climactic pas […]

Graham’s Appalachian Spring

Martha Graham’s Appalachian Spring premiered at the Library of Congress, Washington DC, in 1944. The composer Aaron Copland initially titled the work “ballet for Martha” when he began writing the commission. Despite Copland’s appellation, working on the role of the husbandman in Graham’s piece was different to any other dance work I’d encountered in my […]

World Ballet Day 2018

This month I’d like to offer some thoughts on this year’s World Ballet Day. Last year’s online marathon of behind-the-scenes ballet viewing was, I felt, vital for our industry because it enabled dance-lovers to go behind the curtain and witness the kind of experiences that made me want to spend my life in dance. My […]

Stepping out

The city of New York doesn’t feel like any other part of the US I’ve visited. When you’re walking down Sixth Avenue, or jumping on to a subway at Times Square, you walk a bit quicker and hold a little more elasticity in your body; you could go anywhere and do anything. In the middle […]

From ballet to Broadway

I travelled to Asia for the first time this June to watch my partner perform in the production of Andrew Lloyd Webber and Cameron Mackintosh’s musical Cats that is currently in tour in China. My ten-day stay in Shanghai is a talking point in itself. Reading J G Ballard’s Empire of the Sun as a […]

Back in town by Daniel Pratt

A huge smile probably doesn’t dawn across the face of many people on their commute into the City each morning, but that’s what happened to me one morning in late May as I descended the steps out of the mainland station at Cannon Street in London. I was home. Working for most of the year […]

Travels with my dance

This week: dancefloors – the good, the bad and the ugly The worst floor I’ve ever danced on was the floating nightclub in Leith, Scotland during a rueda salsa class. The club itself was beautiful: a vintage steam yacht, whose ice white paintwork and polished brass sparkled in the reflected street lights – a picture […]

Travels with my dance

This week: where have all the young men gone?  Last night I was at a modern jive and Argentine tango event and there was a young guy dancing. He was, as my female partner said, “hot” in every sense: good-looking, fast on the floor, talented. He was more or less fighting young women off. As […]

Travels with my dance

This week: Village hall heroes Last year I was dancing in the Highlands of Scotland and in the north of England. As I mentioned in my previous blog, if you are in a rural area, you don’t get the option of choosing what kind of dancing you do – it’s a case of doing whatever […]

Connect with Dancing Times: