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September 2018 issue

The September 2018 issue is particularly strong on interviews, from our cover star Laurretta Summerscales to former Strictly Come Dancing pro Robin Windsor, from Michael “Mikey J” Asante and Kenrick “H2O” Sandy of Boy Blue Entertainment to choreographers Lucas Jervies and Wayne Eagling – plus a roundtable discussion with Latin American dancers working in the UK… […]

August 2018

Editorial and contents August 2018 For people of my generation, it’s almost hard to believe Frederick Ashton, one of the greatest choreographers of the 20th century, died 30 years ago. This month, to mark his passing on August 19, 1988, we publish in Talking Point a tribute to him from Iain Webb, director of Sarasota […]

Organic gardening

The word “organic” isn’t often associated with musicals, but it exactly describes the history and content of Little Shop of Horrors, which runs until September 22 at the Regent’s Park Open Air Theatre. Created for a tiny off-Broadway stage in 1982, this show has roots in the science fiction tales of the 1930s and 1950s […]

From ballet to Broadway

I travelled to Asia for the first time this June to watch my partner perform in the production of Andrew Lloyd Webber and Cameron Mackintosh’s musical Cats that is currently in tour in China. My ten-day stay in Shanghai is a talking point in itself. Reading J G Ballard’s Empire of the Sun as a […]

The Sunny Side of the Street

Only Alan Bennett could set a play in the geriatric ward of an all-purpose community hospital and pack 900 seats with people dying to laugh about people dying. During the initial scenes of Allelujah!, his first play in six years, now installed at the Bridge Theatre, nearly every line drew immediate laughter. Two and a […]

How to Skin a Cat

People have been saying “There’s more than one way to skin a cat” since about 1840 but probably not in terms of making dances. Yet as Örjan Andersson’s Goldberg Variations unfolded at the Barbican several weeks ago, only that phrase allowed me to control my irritation and hang onto my objectivity. It wasn’t easy. Andersson […]

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