There’s a Russian feel to this month’s issue, as we speak to Bolshoi director Sergei Filin, look back at a turning point for Diaghilev’s Ballets Russes and report from a St Petersburg conference on the future of ballet choreography. Elsewhere, we look at The Australian Ballet’s new production of The Sleeping Beauty, and come back to the UK to report on London Contemporary Dance School and dance at this month’s Edinburgh festivals…
Our March 2015 issue is here! Our cover star is Birmingham Royal Ballet’s Céline Gittens. This month features four British-based choreographers, discussing music, choice of subject matter, moving from dancing into choreography and the future of British classical ballet. We also speak to dance fathers and sons, herald Dance UK’s forthcoming conference and report on international performances…
Gender is on the agenda in our November 2014 issue. We explore what it takes to be a man in dance – while BalletBoyz Ed Pearce and Adam Kirkham demonstrate male partnering on the dramatic cover photo by Hugo Glendinning – and speak to director-choreographer Susan Stroman about being a woman in the male-dominated world of choreography.
The Royal Ballet School has announced that Gailene Stock, its director since 1999, died on April 29, 2014, following a long battle with cancer.
The Royal Ballet’s 2013-14 season was announced today. Kevin O’Hare (pictured), the company’s artistic director, introduces the season in conversation with Zoë Anderson. For more from this interview, see the April issue of Dancing Times.
Sadler’s Wells has announced highlights of next year’s programme. 2013 will be the 15th anniversary of the London venue’s current building, and will be marked by several special events. All 14 of the theatre’s associate artists will contribute to this year’s programme, which will also feature the return of Tanztheater Wuppertal Pina Bausch, a celebration of The Rite of Spring and a visit from the National Ballet of Canada.
Assis Carreiro, the driving force behind DanceEast, has been appointed artistic director of the Royal Ballet of Flanders. She joins the Antwerp-based company at a difficult time. The previous director, Kathryn Bennetts, clashed with the Flemish culture minister, Joke Schauvliege, over plans to amalgamate the Antwerp opera and ballet companies under a single intendant.