In De Oscuro’s new production of Mac//Beth, the witches spin their deceptive prophecies in Welsh, while Lady Macbeth slides from speech into movement as she urges her husband on to murder. It’s an ambitious idea, but the staging is both rushed and pedestrian, gaining little insight from its mix of languages.
Founded in 2010 by Judith Roberts, Welsh dance theatre company De Oscuro is determinedly multilingual. In this production, directed by Roberts, the switch of languages often seems arbitrary.
2011–2012 will be Monica Mason’s final season as director of The Royal Ballet. This is, she explains, “a case of ‘Director’s Choice’ – I’ve included a lot of things that have been particularly special to me, and also one or two that might not appear again for a while.”